Mini Reviews - XXIII

The Maid of Fairbourne Hall

- Julie Klassen

My rating: 2 of 5 stars

I found it too long and boring. It seems to go over same ground repeatedly, and take much time doing that. The auxiliary plots also take a lot of space, and some of them didn't make much sense. There is a lot of drama and contrivance, but no humor.

I didn't quite like the heroine, even though she is reformed very soon. The hero seems to be a sincere person, but I do not see that she gives him any reason to move beyond his earlier infatuation and disappointment. In fact, I hardly liked any of the characters, except perhaps Hudson.

An Accomplished Woman

  - Jude Morgan

My rating: 2 of 5 stars

It had its moments of wit and humor, but overall it was too long and winding. The author may be commended for a writing style inspired by Jane Austen, but terribly long sentences with many clauses made me either read them a few times to make sense, or skip them altogether. The pseudo-philosophical pondering and prosy bouts of sensible advice from one character to another, bored me. I felt that the author was trying too hard.

The story was nice by itself, though predictable as expected, but the humor was scattered sparsely. I would have enjoyed it far better if the prose was more comprehensible in places, and the length was under 300 pages.

The Village Spinster

  - Laura Matthews

My rating: 2 of 5 stars

This was perhaps nice enough, but I didn't find anything remarkable about out it. It was quite a run-of-the-mill story, with neither humor nor much of conflict to make it interesting. The only conflict was provided by a cheerful second cousin of the heroine (whose presence the very 'proper' hero found objectionable), who turns out to not just be married but expecting a baby! I didn't warm up to the hero - he was well meaning, but not really sympathetic to people, and worse, did not realize it until the end. Development of his affection for the heroine was not well done - it seemed sudden and without much cause, except perhaps guilt. Later on, their one fleeting contact in the past was much focused on, but it seems to be to small a thing to have so much of impact after so many years; it also contradicts the heroine's initial lament that he had never noticed her.
Overall, a very average writing and forgettable story.

Lady Elizabeth's Comet

  - Sheila Simonson

My rating: 3.5 of 5 stars

This book was more enjoyable than entertaining, and I really liked this story of two sensible people who come to regard each other deeply. This is a gentle story about family and complex feelings, and the understated romance with touch of humor is delightful.

I liked the independently minded heroine, who is more inclined towards science than social conventions. Her passion towards her interest, and her intelligence is admirable, though her conviction that her scientific pursuit is unnatural in a woman, is jarring to the modern thought. The hero is simply wonderful - honorable, intelligent, sensitive and kind, and with a sense of humor. His strength lies not in subduing others but in exerting himself. Dark, brooding, glaring heroes may be all the rage, but something is to be said about a gentle soul who respects and encourages his lady's talent and takes the trouble to befriend her gauche teenage sisters. The cast of secondary characters is wonderful too, and gets ample focus.

The first person narrative was a bit lacking in style at times, but worked well to provide emotional depth. There are some instances of telling-and-not-showing, e.g. at a point the heroine states that she and Clanross indulge in verbal sparring whenever they meet, but I did not see much of sparring matches prior to this and some amusing exchanges later on.

Mini Reviews - XXII (Carla Kelly)

Miss Grimsley's Oxford Career

  - Carla Kelly

My rating: 4 of 5 stars

This is my first book by the author, and it enchanted me. There are many things that I liked about it.

In a way this is one of the rare RRs, in having a heroine who is just not independent-minded, but also an intellectual. At the core of the story is her love for learning, in a period where education of women was decidedly frowned upon. I loved the hero, also in a different mold than usual - an eminent scholar - squeezing out a last year of studies before duty beckons. I appreciated that he encouraged the heroine in her pursuit of knowledge and admired her for her spunk as well as intellect. His courtship is sweet and unique, progressing from a friendship based on their mutual interest. One of the most wonderful aspects of the story is the heroine's growth as a person, learning a good deal about love and life.It has the usual mix bag of characters. Other than the lead pair, who are both adorable, there is her aunt, who is spirited and highly supportive. We have a toad-eating parent in her father, and a tyrannical fool in the schoolmistress. A terribly selfish relative is one of the stock characters of the genre, and here the role is played by the heroine's brother, though he redeems himself in the end.

I liked the subtle and amusing banter between the couple, and their time stolen together made possible by the unique situation. However, I did not care for the PDA in the college square at the end, which was completely uncharacteristic and unnecessary. It was lovely and enjoyable, though quite improbable (but are any romances ever believable? :D) .

Reforming Lord Ragsdale

  - Carla Kelly

My rating: 3 of 5 stars

This is a moving story, with more substance than the usual, fluffy RRs. The hero and the heroine, both have a deeply troubled past - something of greater significance than a broken heart. I really liked the characters, and the slow development of their relationship - from trust to respect, friendship and more. Emma's character is created particularly well - strong, resourceful and intelligent - though I think making her a bit older would have been more credible. Lord Ragsdale, wasting away his life as he is, is kind and honorable, and impressed me as being more than the standard reformed rake.

The author makes the story realistic by including a glimpse of the historic event of the war, and not tying up everything neat and tidy at the end. Yet, there are some aspects that are truly unrealistic - Emma's cheerful character despite all she suffered and her sophisticated learning despite the young age she had to leave her home. The overnight cure of Ragsdale's alcoholism by simply withdrawing his supply of liquor is too optimistic (whatever about the thing called withdrawal symptoms?). Sadly, the author fell into the trap of a last-minute, filmy conclusion. I definitely prefer happy endings, but they shouldn't be so uncharacteristic and dramatic.

Mrs. Drew Plays Her Hand

  - Carla Kelly

My rating: 2.5 of 5 stars

This wasn't much fun, and I didn't like it as much as the two books I read by this author before this. It's perhaps a cute and cozy enough romance, but that is not what was looking for. so, despite being heart warming, it left me a bit disappointed. Low on humor, rather saccharine, predictably predictable. The language and the interactions felt too modern for the era at many places.

The Lady's Companion

  - Carla Kelly

My rating: 3 of 5 stars

This was very different from a traditional regency - the hero is neither a peer, nor rich, nor English (he is Welsh). The setting is rural, with farm-work consuming his time and energy. The usual balls and morning visits and other pastimes of aristocracy have no place here. The instant attraction between the lead pair is not something that I digest easily, but their banter is fun.
We get glimpses into the Napoleanic wars, including some battlefield action - I found that interesting. There is also more than the usual lovemaking, and more intimate in nature, which I didn't quite care for.
It gives a significant focus to emotions and relationships, and I like that most of the characters are nice and sympathetic, and care for others. The heroine's family is cruel and despicable, but for the most part we are treated to human kindness, and the end was particularly moving.

Mini Reviews - XXI (Barbara Metzger)

An Affair of Interest

- Barbara Metzger

My rating: 4 of 5 stars

This is perhaps one of the most entertaining story of this genre that I have come across so far. It uses several many of the usual tropes, but the sum total is absolutely hilarious. We have a young, intelligent and spunky heroine - spirited enough to devise outlandish (at least for the times!) schemes, and innocent enough to keep falling into scrapes. Then we have a stiff and sensible hero, who always ends up rescuing her. And add to the mix, a bunch of most comical villains. So what you end up with is a series of madcap adventures! The writing is very amusing, though by the end of this, the third book I read by this author, it kind of feels forced. The plot is a big hoot, and I found myself laughing out several times.

My first exposure to regency romance was through Georgette Heyer, and have only recently started exploring other authors. I am not sure if Heyer's interpretation of the language and mannerisms of the period are most authentic, but in comparison, the tone and and style of Metzger feels much more modern.

Where I certainly appreciate Metzger more is, that her heroines are much more enterprising. Sydney here shares some similarity with 'The Grand Sophy' and 'Frederica'. Like Frederica, she wants her sister to have a London season, but instead of appealing to a rich, distant relative, she tries to raise funds on her own. Like Sophy, she keeps on creating elaborate, outrageous schemes. Sophy is confident, worldy-wise, and backed by her father's support and resources, and most of her plans are prompted by doing what she believes is best for other people (meddling indeed). Whereas Sydney had nothing going for her, and all her ideas are prompted by a desire to support her family. So, I definitely find Sidney most creditable of all.

Lady Whilton's Wedding

- Barbara Metzger

My rating: 3 of 5 stars

This was an entertaining comedy of errors - with the body of a despised uncle disappearing and reappearing, a couple of terribly inept thieves, and chaos reigning in the wedding of the lead couple's parents.

The plot is as contrived as can be, but the situational comedy and the witty dialogs make it a good fun read. I liked the heroine, sensible yet a little naive, but the hero is a bit of a jerk. Rest of the cast is quite engaging, including the bumbling villains. I would have preferred it if the hero's character had rectified his ways after his first error, but I suppose it would have been a blow to the situation created in the story.

Another downside to the book was the long time spent on relating the back story, done in an intrepid manner with only occasional witticism to break the monotony. It was about 30% mark when any events of interest take place.

A Worthy Wife

  - Barbara Metzger

My rating: 2 of 5 stars

I was glad to find in Barbara Metzger another regency author I like, but very soon her work has become a hit-or-miss with me.

The start of this novel is a bit strange, but not inconceivable for a regency novel - Kenyon, an earl marries a commoner Aurora in order to save her reputation. The rest of the plot consists of a sequence of predicaments that Aurora handles with great ease. She looks such an epitome of sense and perfection, that I couldn't assimilate that she landed in the trouble that she did at the beginning. Kenyon's character didn't endear himself to me, starting from his behavior towards Aurora on their wedding night. He later keeps distrusting her yet wanting her, and his laments to himself become intrepid. Eventually, there are reasons for him to appreciate Aurora, but I see no reason why she should place such confidence in his ability to settle everything.

The suspense that was, was evident since the question first arose. There are not very explicit scenes, but more sensuality that usual, or at least my expectation. There were some amusing antics, but overall I didn't much like the characters or the plot.


An Enchanted Affair

  - Barbara Metzger

My rating: 2 of 5 stars

I did not like this much, particularly because there was too much of abuse (not graphic) at the hands of greedy relatives. RR as a genre have some very standard tropes, and this one employed two of my least favorite - MoC and MisUnderstanding (I feel MU has to be the most idiotic things; just a little bit of communication, even in the times of that high degree of formality should have easily avoided it).
I found it quite average, with run-of-the-mill plot and no humor to redeem it.

Mini Reviews - XX (Barbara Metzger)

Miss Lockharte's Letters

- Barbara Metzger

My rating: 3.5 of 5 stars

After going through nearly all the Heyer novels, and some of them twice, over last couple of years, I was looking for some authors who wrote in the similar vein - set in regency era, light/chaste romance, and lot of wit and humor. This one had been popping up on GR in a few "readers also liked ..." automated recos, had a very interesting theme or at least the start, and had highly favorable reviews.

I wasn't disappointed at all, and quite enjoyed it. The writing style is engaging - full of humor and wit, even when the heroine describes or ponders over her miseries, and the plot is a fantastic sequence of adventures and misadventures and hilarious situations. In short, a complete entertainer.

It seems to be set in the same time frame as Heyer novels, But my mind, more attuned to the flowery and formal language of Heyer, found the language and style more modern comparatively. I have, of course, no idea which one is more authentic to the time.

 Miss Treadwell's Talent

- Barbara Metzger

My rating: 2 of 5 stars

For most of the book, there is a flow of witty and sarcastic exchange of dialogues between the lead pair, which is what I was looking for. I enjoyed the banter, and thought it was going on well, until the end, where it became full of fantastic coincidences, supernatural intervention, and inexplicable tidy closures.

I would have preferred to see a greater role of Maylene's well-advertised talents in solving the mysteries than the supernatural guidance from the seances held by her mother. We hear a lot about her abilities, but see little in actual action, and even less done without the hero's assistance. I could not warm up to the hero - Hyatt keeps insulting Maylene throughout. He may be excused for his cynism, but not for failing to apologizing to her even when his presumptions are proven false.

In order to provide a cut-and-dried solution for the heroine's happily-ever-after, one innocent girl is deplorably forced to marry her lecherous cousin, Lady Crowley marries Shimpson for no reason we could see, and Lady Tremont is paired off with the duke unnecessarily (not to say weird!).

A highly unsatisfactory conclusion, for which i subtracted a point from the rating.

A Loyal Companion

 - Barbara Metzger

My rating: 2.5 of 5 stars

This is a simple romance, though with over-the-top action, and sometimes language, for a regency. In most regency novels of my experience, duchesses don't spout curses, and evil lords fall just short of kidnapping a high-born girl (commoners are fair game for them, with no-one raising an eyebrow).

The plot is typical - a headstrong but kind and thoughtful girl falls instantly in love with a wronged but charismatic hero (not to say titled and rich); and an impoverished nobleman (who is not really noble in his actions) wants to marry the girl for her money to pay his debts. The heroine is just too sweet and perfect, and manages to solve all of the hero's problems. And he, in turn, turns a knight in shining armor or rather a major in dress uniform, and rescues her from the nefarious villain.

What raises it above the par is the dog, who is the narrator of the book. Each chapter starts with his voice, sometimes philosophical thoughts but often sarcastic observations of the human society. What would have been a run-of-the-mill sugary romance otherwise, is lifted to a quirky adventure by this loyal companion.

Year of Wonders

 Year of Wonders

  - Geraldine Brooks

My rating: 3 of 5 stars

Prior to this, there was one book I had read by the author - People of the Book. I absolutely loved it (except for one side thread) and was really impressed with the way she narrated the story of the Sarajevo Haggadah. So, I wanted to read more of her works and settled on Year of Wonders.

Given the subject matter - an outbreak of plague in the 17th century - I was prepared to read a depressing story. It is indeed bleak, yet the storytelling is so superb and the prose so evocative, that I couldn't put it down. This book is based on the true story of an English village Eyam, whose inhabitants quarantined themselves to contain the outbreak while undergoing dreadful suffering. The author has researched the known historical facts very well and woven them into a rich narrative with vivid details. Through the first-person narrative by Anna Frith, a housemaid at the village rectory, we see the disruption of the peaceful (I assume) existence by the first plague death, the slow understanding of what they were facing, superstition and collapse of faith, the terrible and heart-breaking casualties until the contagion finally fades out. We see the rector Mompellion guiding the villagers and trying to hold up their spirits through this unprecedented ordeal, supporting them beyond the point of exhaustion. We see his wife, Elinor, assisted by Anna, trying to provide as much nursing care and comfort as she can to the villagers in their unbearable grief, without the benefit of medical knowledge or supplies.

On the downside, the language and the sensibility come across as too modern. Elinor and Anna come across as highly intellectual and feminist - which one could accept in the educated high-class lady, but seeing it in an uneducated village girl with a vulgar family background stretches the imagination too hard. I was a little troubled by repeated, graphic details of the manifestations of the disease. Pain and fear can drive people to madness, but some of the cruel actions arising out of it really disturbed me. I mean, it is all believable but disturbing nevertheless.

But what quite destroyed the great story was the end.  

 

*** SPOILERS ***

The terrible mania of Anna's stepmother Aphra in all its gory detail was repulsive, and her killing of Elinor was unnecessarily dramatic. Anna, who had never seen anywhere beyond the village, traveling alone to Egypt (I think it was) and becoming the wife of a most respected doctor was uncharacteristic. However, the worst was the revelation of the rector's true nature - he, who had been the personification of calm and compassion, the voice of reason, turns out to be a misogynist and fanatic. Yes, that killed the book for me, a grudging 3-star instead of the 5-star it could have been.

Mini Reviews - XIX

A Countess Below Stairs

  - Eva Ibbotson

My rating: 2 of 5 stars

I have heard a lot about Eva Ibbotson’s books for children, but I haven’t read them yet. In my current regency binge phase, I came across this and based on the recommendations, it seemed to be a good one. However, it left me very disappointed.

The plot is entirely predictable at every stage. The main character (the countess of the title) is a Mary Sue (a new phrase I have learnt!) type, annoyingly perfect. Anna and Muriel are both completely one-dimensional - Anna is kind to and loved by everyone, whereas Muriel is despotic and cruel to one an all, and this includes not just the adults, but a kid and a dog. For each and every person, their respective behaviors are constantly set in contrast, and I don’t think a reader needs so many reminders to understand how evil a person Muriel is. The hero, Rupert, doesn't have much to do in the book, except play a martyr to his commitment. He is willing to sacrifice everyone's life because, you know, he gave his word to Muriel. However, he also gave a promise to little Ollie, which he can't be bothered to keep - utterly despicable character, who has to be rescued by others by devious means.

It seems to include nearly all of the tropes of the genre, including the heroine being high nobility and a misunderstanding separating the lead pair. It is also too verbose, and I skipped pages of examples or illustration to make the same point.

Lord Sidley's Last Season

  - Sherry Lynn Ferguson

My rating: 3.5 of 5 stars

I chanced upon this book, while trying to find clean regency romance with humor, besides Heyer. It certainly fulfilled my expectations, and perhaps more.

I loved that the heroine is not just an independent, sensible girl, but also a talented artist. She does aspire for love and family, but her art is a passion which she does not want to give up. This is a kind of aspiration I haven't come across in my limited view of regency era heroines. The hero is titled, wealthy and handsome (as in all the stories in this genre!), but also considerate, and he respects the lady's talent enough to promote it whether or not he is able to win her.

The witty exchanges between the couple is usually amusing, but their conversation is engaging otherwise also. However, I don't care for fall-in-love-at-first-glance, which is the case in most of such stories. Also, the resolution of conflicts was a little too tidy, even though that is what I expected in case of the heroine. Overall, an entertaining, breezy read.

The Honorable Marksley

  - Sherry Lynn Ferguson

My rating: 3 of 5 stars

I must say I have a thing about regency heroines who are sensitive, intelligent and witty, and heroes who are kind and honorable and have a sense of humor. I enjoyed the gradually developing trust and fondness between the leads, the subtle humor and interesting conversation, and the underlying poetry.

The misunderstanding - a quintessential trope of the romance genre - annoyed me as usual, but I found it more forgivable in this case. The premise was unrealistic - a near infatuation with the anonymous poet, so much so that the hero wanted to shut down the magazine because he felt that 'his' poet had betrayed him.

I really liked both the books I have read by this author, and it's sad that she has written so little.

Mini Reviews - XVIII (Georgette Heyer)

April Lady

  - Georgette Heyer

My rating: 2 of 5 stars

The romantic plot is based on misunderstanding between a couple, a usual trope in romance novels. The misunderstanding is not particularly interesting, at least in the current times, yet better than another of her novels (The Nonesuch), where it was just plain stupid. The heroine is kind-hearted and sensible, but something of a doormat who allows everyone to walk over her. The hero is foolish, and I disliked him for not apologizing enough to his wife for his unjust and harsh remarks, and also for not chastising his sister for causing his wife so much trouble and pain. The entire plot is a big farce, but there is not much of humor, which is what I like best in Heyer novels. 

 

Why Shoot a Butler?

- Georgette Heyer

 My rating: 2 of 5 stars

Having binged on Heyer's regency books for last two years, most of which I enjoyed for their wit and humor, I wanted to give her mystery novels a try. The title and the blurb of this sounded interesting, something in the style of Christie's Poriot.

This didn't have much of humor, not even in dialogues, unless you count the sarcastic remarks of the Hero to all and sundry, specially the heroine. Then, it was quite predictable - the heroine's secret, the villain's identity, and the reason for murder(s) are evident quite early. The long chase sequence at the end, and the last-minute rescue was very theatrical, and jaded - I've read much better action sequences written in the same era. And finally, the lengthy, winding explanation of the entire plot bored me so much that I skipped most of it, just scanning to confirm what I suspected.

Okay, if you are a die-hard Heyer fan and enjoy very light mysteries. Avoid, if you are into intelligent murder mysteries or fast-paced thrillers (the non-gruesome kinds, because others are a different game altogether).

Different Class

Different Class

  - Joanne Harris

My rating: 3.5 of 5 stars

I loved everything about 'Gentlemen and Players' - the plot, setting, format, thrill and the battle of wits. This is not really a sequel, though it is set in the same school, and the protagonist is the same elderly teacher, Mr Straitley.

The plot here is also fraught with a great tension, gradually building up as the story progresses. However, it is very dark, with a theme of abuse, sadism and psychopathy running at its core. Due to this, I found it quite disturbing.

I love the way Joanne Harris writes, but the treatment of the plot in here left me dissatisfied, annoyed even. First was deliberate misleading the reader about the identity of the author of the diary - from the reviews and questions I collected that I wasn't the only one to make that mistake. Another one is that ominous buildup - a catastrophic event in the past developing into the current tragedy, but that event is not revealed until the end. I feel both of these have become a part of the pattern, at least in this series of work.

Several questions were left unanswered, and there was some expectation to find answers to some of them in 'BlueEyedBoy', but even after reading it, I am still perplexed. [Who actually was Mousy and what happened to him? What eventually became of Spikely? What was the motive of Harrington, and that of Winter?]

Mini Reviews - XVII (Georgette Heyer)

The Toll-Gate

  - Georgette Heyer

My rating: 3 of 5 stars

I read this for the second time, while on a spree of re-reading the Heyer novels I enjoyed most. This time I revised my review of this from 4 to 3 stars.

I found it rather slow, and skipped paragraphs of mundane and irrelevant details through out the book. The romance was hardly worth the interest, though the plot - a mystery - was different from the other Heyer works I have read. I love the Heyer heroines that are strong characters with a ready wit. But Nell seems to be rather passive and subdued, though we are told that she is very efficiently managing the estate. And the basis of attraction - the larger-than-life size of the lead pair - seems rather ridiculous.

 

 

The Reluctant Widow 

  - Georgette Heyer
My rating: 2 of 5 stars

Quite a bland offering from GH. I find tiresome the kind of her heroine who is so 'excessively good natured' that she is not disturbed much even when she is aware that she has been manipulated and terribly imposed upon. She is upset for only a moment before dissolving into a smile or giggle. She is 'just the right sort' to agree to schemes and pranks that the least bit of common-sense will counter. And her vocabulary is limited enough to describe most people and events as 'odious' or 'horrible' (I counted 25 of the former and 20 of the latter - thanks to kindle search).

 

Frederica

  - Georgette Heyer
My rating: 4 of 5 stars

I have been re-reading some of the Georgette Heyer books I enjoyed the first time, and this is the only book that I loved as much the second time as well.

It is a thoroughly entertaining book, full of humor and witty exchanges, and a cast of many endearing characters who are not such paragons of virtue as to become insipid. Of course there are some dim-witted and repulsive ones, but the novel would be no fun without them! My favorite characters in this, or perhaps the whole of Heyer, are the irrepressible Felix and the irreplaceable Trevor - the former for his unconscious enthusiasm, and the latter for his quiet, sharp efficiency which doesn't preclude subtle humor.

Death of an Expert Witness

Adam Dalgliesh #6: Death of an Expert Witness

  - P.D. James

My rating: 3 of 5 stars

This is one of the better mysteries so far in the series - with a lot of suspense and tension, inevitable red herrings, and more plausible motives. However, it continues the tradition of the previous books - elements I didn't like - a full cast of unlikable characters, a detestable victim, and a rushed solution derived from intuition rather than reasoning. It deviates in the way the characters are introduced. In earlier books, the setting is introduced first, and then the backstory of the characters is built up through conversation or inner thoughts. Here, the main characters and their stories are introduced first, one after the other, and by the second or third you have a pretty clear idea of who is going to be killed. It also makes the initial 20% of the book rather bland, because it only serves to underline the depravity of the would-be victim.

Even though Dalgliesh's character is more sympathetic in this book than before, and the mystery is good, I am not inclined to continue with this series. I feel it doesn't say much for a mystery series if you cant care about the characters or even the lead. The characters are almost all mean or shallow. As for the hero, I find him inconsistent and unsympathetic, with no endearing personality traits. He may be publishing poetry, but investigating officers are no celebrities and poets are even more obscure, but in this series everyone seems to know of him and his poetic tendencies. There is no continuation of characters, not even a young subordinate or a bungling constable.
Contrast (unfair, I know!) it with the two most famous fictional detectives - despite Poirot's vanity and Holmes's detachment, they are both kind. Even though they may not respect the intelligence of Dr Watson and Captain Hastings, they have a fondness for them. They are not uncivil even to Lestrade and Japp.

The writing is good, but the solution of the mystery leaves much to be desired - critical pieces of evidence are withheld from reader and only brought out at the end, and the logical process of deduction is missing. So, I am leaving it here, and I don't think it will make it to my favorite murder mysteries list.